Tiffen low contrast 1 diffusion filter used for a bit of glow and softening.
Written by Kevin Tan. KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 KODAK Publication No. Dye layering technology. With a background in filmmaking, there are of course many examples of exciting compositions in the wide format. It was my first time pushing film…I took two rolls without thinking much and I tried to study the nature of the film as much as possible before I use them for the shoot. Blog post to come (added to my list!)
Bulk loaded Kodak Vision3 500T 5219 film and a test shoot with Alex last week. It is not an easy task when you only have 36 frames with no preview and you have to follow the magician table-to-table looking for his potential audience in a tight corner. Limited Light (T) Score: 5/5. During this time of “staying at home”, I thought it would be…With changed living and working arrangements I have found myself walking the streets of my neighbourhood a lot more regularly than I usually would. £30.00. Sure, some of the shots might be out of focus and underexposed but at least it was better than nothing. Kodak Vision 3 5219 is a high-speed tungsten-balanced film with fine grain structure, great tonality and wide dynamic range. But…International Relation graduates.
Quantity. Day Exterior: Score: 3/5. TECHNICAL DATA / COLOR NEGATIVE FILM The first in a new family of films, VISION3 500T … H-1-5219t. 60 secs shaking +60 secs soak water From Kuala Lumpur, MalaysiaTo be fair, the correct exposure of the film when being push two stops is EI 2000, however I made a small mistake to rated it at EI 1500. KODAK VISION3 500T Color Negative Film 5219 / 7219 / SO-219 • H-1-5219t 3 print films, the LAD patch is printed to a neutral gray of 1.0 visual density. Epson v800 scan. Sharpness The perceived sharpness of any film depends on various components of the motion picture production system. Last updated on February 13, 2020 . Home C41 developing at 38 degrees. Lens：Hasselblad 45mm f4.0.
And when scanning low-light scenes, VISION3 500T Color Negative Film yields higher signal-to … The Eddy, directed by Damien Chazelle, entirely on KODAK VISION3 16mm film – thereby kick-starting the eight-part story with a suitably mean-and-moody look. Kodak Vision 3 5219 500T Colour Negative Film - Tahusa Kodak Vision 3 5219 is a high-speed tungsten-balanced film with fine grain structure, great tonality and wide dynamic range. Blog post to come (added to my list!) :)Develop：Arista C41 39C 3:30 minsKodak Vision 3 5219 500T (no 85)Cleaned up with Adobe Photoshop CCFirst Roll self-developing color + Movie filmTungsten balanced film without the filter under various daylight conditionsDeveloped at home in C-41 ChemistryLeica M2 + Voigtlander Nokton Classic 40mm f1.4 + ECN Kodak Vision3 500T 5219 (CineStill 800T with RemJet layer not removed) + 85B filterCanon EOS 50E + Tokina AT-X Pro 28-70/2.6-2.8Film: Kodak 5219 Vision 3, 500T Color Negative - ISO 500"The Voices Of Warriors"Film: Kodak 5219 Vision 3, 500T Color Negative - ISO 500Edit: 3/31/2020: Pushed color vibrance just a bit.Kodak Vision 3 500T/5219 cinefilmAyesha looking across an LED light table captured on Kodak 500T 5219 film.
Joined film photography since May 2018. Loves photography and reading. Currently working in customer service. I feel film photography embodies a must-needed break from the frantic times we’re living (at least pre-coronavirus-wise)….My Dad gifted me his Nikkorex F many years ago, but I had never shot it until recently. P&P: + £20.00 P&P .
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